|The hardback jacket for Drama and Delight:|
The Life and Legaxy of Verity Lambert
Drama and Delight is a more carefully structured and compiled book than his JN-T: The Life and Scandalous Times of John Nathan-Turner, which Miwk Publishing brought out two years ago. Footnotes identifying the sources of the quotations are welcome and the narrative is more linear and more focused. The writer's love of and support for the 'studio' era of British television is plain. Though the days of collegiality in the BBC or the ITV companies, when collective responsibility was held to take precedence over individualist notions of success, are celebrated, any rosy glow is balanced by the acknowledgements of collective irresponsibility too and of individual misbehaviour. I'll never quite look at a bar in one hotel, near where I live, again without thinking of an incident involving a male television executive, a female colleague and a broken glass which had implications for the said executive's career, and opened a door for Verity Lambert. Inevitably, comparisons and contrasts can be made with Marson's earlier subject. The world through which Verity Lambert worked and played was just as scandalous as that of John Nathan-Turner but has triumph and style and Verity's sense of the human spirit and achievement, and lacks the seedy, desperate edge of so much of Marson's portrayal of John Nathan-Turner. There are still many eyebrow-raising anecdotes and a few invitations to look for subtext among the professional and personal relationships of Verity's colleagues. The book is a great dispeller of myths already established in the public imagination - the Verity portrayed by Jessica Raine in Mark Gatiss's play about the early years of Doctor Who, An Adventure in Space and Time (2013) is swiftly dispatched in the opening pages, and one is left wondering how the party scene establishing her friendship with Jacqueline Hill in that play would have fared had it instead depicted a poker game, which Verity played with friends and colleagues in her pre-Doctor Who ABC Television days.
|Front cover of the paperback edition of |
Drama and Delight: The Life and Legacy of Verity Lambert
Perhaps the best point the book makes is that although she was a producer rather than a writer or director (at least, never openly so - there is some founded speculation about one of the Doctor Who episodes she produced, though) Verity Lambert's productions contain a certain quality which is recognisably hers. One absence in the book is that it doesn't set out to identify with particular precision what that might be, though in another sense it's enough to point out that a wider audience, somehow, knew her. That eye-catching name on the credits of Doctor Who, Adam Adamant Lives, Detective and the BBC's Somerset Maugham plays must have chimed with those viewers who saw the Monty Python's Flying Circus sketch featuring 'Mr Verity' and 'Mr Lambert' on first transmission. I can't have been the only reader whose reaction to the photographs of Verity in her early career as a production assistant at ABC Television, wearing to work those dress-code breaking leather trousers, was to wonder whether the inspiration for the creation of Cathy Gale in ABC's The Avengers, a leather-wearing woman of force, intellect and beauty in a man's world, was rather closer to home than has been realised.
Drama and Delight: The Life and Legacy of Verity Lambert by Richard Marson is published by and is available from Miwk Publishing in hardback and paperback editions.